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REDDIT MOVIES ABOUT ARTIFICIAL INTELLIGENCE MOVIE“Stanley never really had a huge commercial success, and he saw this movie as that possibility for him. “‘In loving search for a story worth telling on the screen’ is better.” I asked Harlan why he thought Kubrick became so obsessed with this story. “The idea that AI could be developed to such an extent was total fairy tale 30 years ago, as it is today,” says Jan Harlan, Kubrick’s brother-in-law and longtime producer, in an email. “There was something in there about the little boy’s inability to please his mother that touched Stanley’s heart.” “It meant a great deal to him,” Aldiss told The New York Times in 1999. The story’s futuristic world is overpopulated, and a woman named Monica fills her childless void with an advanced robot boy named David and his talking teddy bear. The original seed was Brian Aldiss’s short story, “Supertoys Last All Summer Long,” published the year after Kubrick made 2001: A Space Odyssey. No less than five writers entered his orbit to try to come up with a workable screenplay for A.I. ![]() He also had a habit of driving writers up a wall. Kubrick had a habit of chewing on a possible movie for years and years before committing. but it was never as “warm” as you might remember. open, you find cold Kubrick machinery underneath warm Spielberg skin. actually goes back 50 years-a Kubrickian labyrinth of endless deliberation, false starts and creative casualties, and ultimately the posthumous lovechild of this very unusual marriage. It’s this really important philosophical thing: What’s your responsibility to that?” “Steven and Stanley, when they brought love into the equation-it’s not really a sentimental thing. “I remember described the movie as mostly being about your responsibility to intelligence,” says Haley Joel Osment, who carried the film as the robot boy David. But she also remembers him saying, “I don’t care what anyone ever says: I just made a good movie.” Twenty years of hindsight have proved the director right, and fans of both directors have come to appreciate just how deeply devoted Spielberg was to his friend’s long-gestating, obsessive vision for the film. Spielberg’s eyes were wide open to the fact that a film originally conceptualized by Kubrick but completed by him would confuse people, Curtis says. ![]() Over the Past 20 Years, Steven Spielberg Has Come to Terms With Himself So we end up with the structureless, meandering, slow-motion endlessness of Kubrick combined with the fuzzy, cuddly mindlessness of Spielberg. exhibits all its creators’ bad traits and none of the good. seems to be attempting the improbable feat of melding Kubrick’s chilly, analytical style with his own warmer, needier sensibility.” On the flip side, Mick LaSalle of the San Francisco Chronicle wrote that “ A.I. Scott called it “the best fairy tale-the most disturbing, complex, and intellectually challenging boy’s adventure story-Mr. In one of the positive reviews, The New York Times’ A.O. The film earned $236 million worldwide, which sounds respectable until you realize it’s the 19th-highest-grossing film that Spielberg’s directed. REDDIT MOVIES ABOUT ARTIFICIAL INTELLIGENCE ANDROIDII, Spielberg fans were instead met by sex robots, an android holocaust, and the bleakest boyhood story line in the director’s career, in which the “boy” is abandoned by his “mother” and cursed to roam the earth for 2,000 years, trying desperately to win her love. Artificial Intelligence came out on June 29, 2001, that strange creative “crash” baffled audiences and divided critics. I mean, it’s a twisted Spielberg movie, or it’s a loving Kubrick film.” “I would jokingly call him ‘Steveley Kuberg’ during it, because the material itself is just a crash of the two of them. “He tried to direct a Kubrick film,” says producer Bonnie Curtis. In 2001, a year Stanley Kubrick made famous with his sci-fi masterpiece of the same name, Steven Spielberg went on an odyssey of his own-one both deeply personal and deeply committed to someone else’s vision.
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